Thursday, March 7, 2013

Makeup blog: Reflecting on the past

     My way of dealing with bad memories is somewhat similar to Paul D-and even Sethe- in Beloved. I lock them away, try my very best to pretend they don't effect me. Much like Paul D found though, it's hard to keep them at bay. The more you try to ignore it, the more the smallest things will remind you of said events. I'll be in the middle of class and something someone says reminds me of a time I had a fight with my parents or made of fool of myself while presenting something (this happened quite often actually).  I physically convulse, looking much like a squirrel with turrets  leading people to ask me if something is wrong or if something scared me. With the intensity of my flinching, you'd sooner expected me to have PTSD from war than a simple embarrassing memory. The feeling of boiling magma in my stomach does little to aid my recovery time from the flinching also. I don't handle...emotion well. From nauseating guilt to flinching embarrassment to fall-on-the-floor-while-singing happiness, I just feel intensely. I have no real coping method  to share. My pattern is: try to ignore it, attempt to write a somewhat cathartic poem or story about it, ignore it some more. It's still under revision. The writing thing does helps sometimes however. I wrote a "poem"in creative writing class whilst having a minor panic attach over graduation and growing up, and I feel a lot better about it now (so much better in fact that I cannot wait for school to END).

In attempt to make this post seem more legitiment, I'll post the aforementioned poem on here.
(If you judge me I might very well cry. Do you want me to look upon this blog as a flinch-worthy memory? I'm bearing my soul here people, and Lord knows poetry is not my forte. If I have a forte.)


How do I grow?
Do I grow up?
Up, like a tree
with rings of wisdom
stretching outwards from inside of me?
(But so easily burned?)
Do I grow out?
Out, with echoes of
do this pay that go here move there what.are.you.doing.
Hammering me, like it did others before me
and will others after?
Perhaps I’ll just grow old.
As old as I am competent,
As old as I am independent,
As old as I never wish to be.

Maybe I’ll plant a garden and grow little seeds of lead,
And deal one sided pencils
to the world outside these halls of underaged cinder block,
Where there are no erasers.
(Better for you than me)

No, certainly I shall not grow at all.
I’ll stay ungrown,
Undeveloped
Unknown
until my affair with death becomes so scandalous
that Hell is in awe and children become stunted
and the world’s finger begins to rot as it points towards me and demands
that somehow, I must grow.

Soon I'll hear green paper shackles
singing a lullaby
as they grow like ivy around my wrists,
Coaxing us into their cardboard walls
of cardboard ideas
at the top of the beanstalk.
What if I can't climb,
won't climb?
It's easier to watch the fables grow.

Up the fables and up the stalks
will march blue capped porcelain dolls
stretching like jack-in-the-boxes as they
grow and shrink
grow and shrink
with faces of shattered mirrors
that reflect one hundred images of me.
I'll turn away,
and leave the toys to march
onward.

I will laugh at them,
I will envy them,
And they will grow.
Up and out and old.

I shall never
Decay
Or break
Or mature.

How do I grow?
Perhaps, I will grow under.
I can be the roots,
Never hoping
to see the sun
never dreaming
of anything but going deeper and deeper
into my safe dirt prison.







Wednesday, March 6, 2013

Makeup blog 2/14:The Guilt Trip

     Guilt is an emotion I don't feel often, but when I do, I not only take a trip but an entirely temporarily upheaval of my life to settle in Guilt Land. I feel like flamingo dancers are performing in my stomach, trying to spin fast enough to rise like a helicopter up my throat and vultures cruise through my system as their wings brush against my veins and the circle my heart looking for dead flesh. I try not do or say to things I know are wrong or mean or I would have to lie about, simply because I feel guilt so intensely that I get physically sick. Eighteen or not, lying to my Mother still sends me running to the bathroom and prevents me from sleeping for days on end. I can't do it.   Well intending or not, telling details of a friend's life to another fills my mouth with moths. Yet, I still do these things- though not often. It doesn't help when that on parent wants you to feel guiltier than you already do. It's the whole "oh sure you can go to your friend's. They're obviously more important to you." or "Oh, you'll have to ask someone for a ride. This wouldn't be a problem if you were driving," . Pointed, but true comments. Lucky for them, I already feel bad about those situations, their comments only giving my internal vultures offspring. In the end, I probably need to learn to deal with guilt more effectively than just feeling ill until it passes, or just quit doing anything Id feel remotely guilty for. 

Tuesday, March 5, 2013

makeup blog: open letter

Dear Backpack,
    Could you please stop killing my poor spine? I spend five days a week with you, trudging around with you on my back to show off to the world that yes, I have school books and yes, I have a picture of an owl. I rely on you greatly, and even take a bit of pride in you- when you don't smell like cheese crackers at least-  but it's becoming increasingly hard to appreciate  your usefulness when I end up with the seven dwarfs  hacking away at my shoulder blades and spine as they sing "hi ho! Hi ho!" every other day. Is there really nothing you can do about that? Shift a little weigh perhaps? "Accidentally" get sick and puke all my books up in the toilet and flush them away? I'm not asking for much, just a little relief. If you could oblige, I'd been infinitely grateful.
                                                                                                  Yours truly,
                                                                                                   Lauren.

Thursday, February 7, 2013

Can't wait to get on The Road again...not.




     I have finished reading it, turned in my MWDS(finally), and --shocker-- finished my essay(On time?!What is this madness?! ...don't expect exceptional quality.), so I feel I can safely say that I'm officially and permanently done with The Road. Praise the holy Lord almighty, I'm done with this book. Reading it, I felt as if I should have enjoyed the intricate imagery, I should have enjoyed the unique writing style and how the lack of grammar emphasized the loss of humanity and civilization, and I should have enjoyed the twisted, emotional story of the father and son (it's kind of....my thing?), yet...nope. Nada. No enjoyment. I appreciate and perhaps even admire McCarthy's writing, but I in no way enjoy it. It felt so... repetitive and drab. I would read a passage and not be certain if I had read it already. I would read about the people dying and being eaten and...not care.  When did I become such a  harsh critic? I haven't read a book that I enjoyed in... months, at least. Am I simply not the book lover I was back in middle school? Have I just grown cynical due to the over-all "over-it" feeling I have about school now-a-days? Am I simply too unsympathetic to like characters, and their stories by default? I used to love anything different, twisted and emotional, or simply...beautifully written. For some reason or another, my tastes have changed.  Did anyone encounter similar thoughts when reading this book?

If anyone reads this, would you please recommend me a book? Something either funny or gut-wrenching, and absolutely no cheesy romance ( I swear if I see one more book with a love triangle with mythical creatures...I just might cry. Or hit my head on a wall).

Also, Mr. Mullins, would you please put in my late/makeup blogs I did last week? My grade could really use it...


Thursday, January 31, 2013

My experience in Pre-writing




     The moment I hear a teacher say "pre-writing", I feel a black knot begin to form in my stomach. It's sticky tentacles reach up and threaten for gag me from within, oozing it's slimy hatred out my mouth.  Pre-writing. I hate it. The idea of it is good, planning out you ideas before you write them SHOULD make them easier to write about and organize. Should. The problem for me however, is that I don't even know what I'm writing or where I'm going until about halfway through a paper. I don't even usually write my thesis at first if I can avoid it(aka we don't have to turn them in early-say- on turnitin.com making me very miserable and at a loss for words as I struggle to condense my entire unwritten paper into one line).  I just let words come and hope they make sense. My words tend to say what they want regardless of what I intend anyway.  Pre-writing for me is just a hassle, it takes up precious time for times writing and often isn't follow when I write the actual paper so it is indeed pointless.
        The contradicting thing however, is that in creative writing I am a  meticulous pre-writer. In a short or long fiction story, I must write down  every event that will occur in order, interesting lines I plan on using, and physically plan out every character(though that's mostly because I am terrible at characters....). My pre-writing is not to help me organize though, more so to help me remember all my ideas until I  have the attention span to actually write them- which, sadly, isn't often. The only time it is ever used for organization or planning purposes is for novel length ideas, not one of which I've ever bothered to go back and write, be it because I lack the focus, or the motivation once I see how the whole story is going to go(its simply not exciting any more....).
     In the end, prewriting doesn't help me much. I might draft a thesis or topic sentences a few times as I come to them, but more so to get wording rather than ideas right. I do not enjoy having to plan what Im going to do. It feels...restraining.  I need the freedom to write what comes to me, as it comes to me. I can't force my ideas to cleanly plan themselves out before I have a chance to fully understand what my ideas even are.

So Long and Good Night




      What must it be like, to live in a constant hell? Awake or asleep, you never escape the pure misery and purposelessness chasing you. The man said it was good to have bad dreams given their situation, for it meant they haven't given up, aren't simply longing for a release.  I suppose I can understand that statement to some degree, but I don't agree. When we have reoccurring bad dreams, it usually means something is wrong (which it obviously is with the characters given their situation),  and is more of an indicator of depression and suicidal tendencies than good dreams are... Does the man not realize that? To never have good dreams means that you have nothing left that can make you happy, nothing left to look forward to, enjoy or hope for. If they never have good dreams, do they really have nothing to live for? Why do they go on? Have they truly so deeply accepted that they'll never experience happiness again that not even their subconscious can imagine it?

The Road:I DON'T Believe You.

       The Road is by no means a poorly written or uninteresting novel, yet I couldn't quite find it engaging.  I simply can not accept the Man's character. Perhaps it's because  I'm not a parent, or because I've never been starving and running for my life after experiencing the apocalypse, but I cannot understand the Man's mindset.
        "We carry the fire,"
       Are these just words to him? It appears so to me. For someone who lives solely to protect his son and keep "good" alive in the world, I can't see him as... righteous. He lacks conviction too much for me to understand why he keeps living, why he keeps his son living.  His "We carry the fire" speech is his only excuse to keep living, but just because you don't eat people, doesn't mean you're a good person or carrying the fire. If he was truly a kindhearted person, why is only the son the one always pressuring him to help people? He may be the lesser of two evils, but he is by no means a good guy. If it were up to him, he'd leave every starving man or animal they pass. I don't blame him for that though, it's every man for himself if you want to survive in his world. There is no fire left for him to carry.
      So that disregards his reason for living of "carrying the fire"...he certainly isn't doing it. But if he lives solely for his son, how come he couldn't muster up enough courage to overcome his sorrow and shoot his son when he died? A small act of compassion to save his son from dealing with the cannibal ridden, lonely and broken world he tried to hard to protect him from wasn't able to break through upon his death. (it was pure luck and by no knowledge of the father that the veteran was able to take in his son after his death). I can't believe his character because I don't understand why he was even there.